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Lassie

"Lassie", written and directed by Charles Sturridge, takes us back to the original story of the love between a young boy and his dog, and scores a C+...

Most Americans remember the 1943 MGM movie titled "Lassie Come Home" starring Roddy McDowall and Elizabeth Taylor. Following in the 50's is the TV series "Lassie" (1954-74) starring Tommy Retting (played Jeff Miller) and June Lockhart. In syndication such titles appeared as "Jeff's Collie" and "Timmy & Lassie". When Tommy Retting died, he was replaced by Jon Provost (who played Timmy) in 1957, with 591, 30-minute episodes being filmed between the two stars.

Both the movie and the TV series are based on Eric Knight's 1940 novel called "Lassie Come Home" with its roots in Britain's onset to World War II as the back drop. This version takes us back to the beginning in Britain, in the 30's...

The story opens with a foxhunt through the narrow streets of a small town in near Yorkshire in northern England, led by the Duke of Rudling (Peter O'Toole). The fox runs through town, being chased by the foxhounds, into the mines where the majority of the men in town work. The men help the fox escape, and, we're introduced to Sam John Lynch). Sam and his wife Sarah, have a 9 year old son, Joe (Jonathan mason) who's pet is a Collie named Lassie. Joe is a lonely boy whose dog is his best friend. Lassie, who knows when she hears the church bell ring, its time for Joe to leave school, makes her way through the streets to meet Joe each day after school. The residents of the town know Lassie and nod as she makes her daily trek through the streets. The Duke sees Lassie and makes an offer to Sam for Lassie. The Duke wants Lassie for a present to his granddaughter Cilla (Hester Odgers). Sam refuses to sell, but as times get really tough when the mine is closed and out of work, Sam reluctantly agrees to sell Lassie, which breaks his son's heart.

Lassie is shipped off to Scotland, 500 miles away, where the Duke's granddaughter is staying and comes under the care of kennelman Hynes (Steve Pemberton) who is quiet abusive to Lassie as he tries break her spirit. After a few unsuccessful attempts at escape, with the subtle help of Cilla, Lassie makes her escape from the estate kennel and starts her journey from Scotland back to Joe. Along the way, Lassie meets a hosts of people, some nice and some, not so nice. Lassie crosses mountains, swamps, grasslands, and forestlands, sometimes almost starving to death, but pushes on to get home.

Solid performances, along with beautiful scenery, make this version of the Lassie classic very watchable. Interesting characters Lassie meets include two Loch Ness monster seekers, and a puppeteer named Rowlie (affectionately played by Peter Dinklage) who saves Lassie's life. Samantha Morton and John Lynch as Joe's parents are solid, and Jonathan Mason as Joe comes across as an average 9 year old and not an actor, who refuses to let go of his best friend. Peter O'Toole demonstrates why he's an icon with a sometimes funny and serious side to the Duke. Other notable English actors include Edward Fox and Robert Hardy who are British staples in English films. This version of "Lassie", under the direction of Charles Sturridge, is solid and unpretentious without getting too melodramatic with just the right balance between humor, action, and drama for an entertaining family film, for the whole family...

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Monster House

"Monster House", Directed by Gil Kenan, with producers Robert Zemeckis and Steven Spielberg, used the digital animation technique of motion capture Zemeckis brought upfront with "The Polar Express" and scores a B+...

The world of animation production has changed forever. It has moved into the Sci-Fi world of the future. Gone is the Disney style of 2 dimensional traditional works, which is probably why Disney paid billions to align with Pixar. The new wave animation seems headed into 3 primary categories: the "Roto Scooping" technique of shooting live action and digitizing it as in the current release "A Scanner Darkly", the Pixar animated style as demonstrated by the awesome racing/Nascar sequences in "Pixar's "Cars", and the "Motion Capture" process Robert Zemeckis greatly enhanced for "The Polar Express".

After all is said and done, the bottom line is story, and Robert Zemeckis and Steven Spielberg are both excellent storytellers. "Monster House", grounded in a good story, the addition of very good animation, and the voice work of seasoned veteran actors, is great entertainment for the young and the old!

DJ (Mitchel Musso), from his upstairs bedroom window, has his telescope trained on the spooky looking house across the street. DJ has a list of items that have simply vanished from the lawn of Mr. Nebbercracker (Steve Buscemi). Signs on the lawn as well as Mr. Nebbercracker, state emphatically that no one should come near the house! DJ's best friend Chowder (Sam Lerner) who joins him in his vigilant surveillance is also well aware of the strange spooky house. DJ has tried to let his parents know of the strange events occurring at the house across the street but it's passed off as a child's over active imagination.

The afternoon of Halloween, DJ's parents are going out and leave the boys in the care of regular sitter "Z" (Maggie Gyllenhaal). While looking through the telescope at the house, the boys eye Jenny (Spencer Locke), a neighborhood girl whose about to try to sell Halloween candy to the resident of the strange house. As she starts toward the house the boys run downstairs and across the street to warn her about the strange old man. The three kinds find that Mr. Nebbercracker isn't the only thing strange; the house itself seems to have a life of its own! While trying to retrieve Chowder's new basketball, the kids are whisked in the mysterious house (Kathleen Turner)! The adventure begins as the kids try to find a way out and discover the house's secrets!

The motion capture is very good, the voice actors bring a lot of life to the characters, and the story is solidly paced. Over and above it all, the technology doesn't become the high point or get in the way of the movie. With Zemeckis and Spielberg producing, I'm sure director Gil Kenan took advantage of that kind of experience behind him. As a working technician in the industry, I know I would have!

Grade: B+

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Sky High

Sky High is the newest film to tackle super-heroes, a topic that has become so common in film that it should soon be awarded its own genre. The characters are all original, so no ridiculously long running concepts have to be honored, but the film dives into comic book stereotypes with unusual candor.

Will Stronghold (Michael Angarano) dreads his first dead of high school, but not for the reasons most kids do. His parents are the Commander (Kurt Russell) and Jetstream (Kelly Preston), the world's most famous super-heroes on an earth replete with meta-humans. Instead of one of the boring schools mere mortals attend, he'll be going to Sky High, a flying fortress where all the super-heroes go.

The school's selection and education process is one that would likely result in lawsuits, if it weren't out of the legal jurisdiction of every court on earth. On the first day, the students are herded into a gym, where Bruce Campbell (or Sonic Boom, depending on how you choose to listen) demands a demonstration. Kids with useful powers such as flight or super strength get to be 'heroes', while those with less useful powers such as the ability to glow in the dark are discarded into the 'hero support' pile. The supporters are so disdained that Will had never even heard of his father's sidekick, who ruefully notes "I suppose he doesn't have time to sit around all day and look through scrapbooks that I made him." Will has yet to develop any powers, a shortcoming that will crush his father, who doesn't know (let us hope Will never gets offered drugs).

Sky High makes good use of the material it has. I chuckled at a character named Warren Peace and liked how they covered nearly ever superhero power imaginable. Couldn't more have been done, however? By the end, we are given the standard comic book plot, where Will saves the day, all the sidekicks get to use their nearly useless powers to prove their worth, and a PG rated kiss is exchanged.

With the exotic setting and dozens of possibilities posed by mixing teenagers imbued with godly powers, did the central problem need to be an attack by a goofy villain? I was much more interested in the rivalry between Will and a fire-wielding punk who's fathers were arch enemies. What about learning not to abuse the astonishing gifts they have received? Unfortunately, the film skips most of this, more satisfied with the standard Disney plot.

It would be difficult, if not impossible, to avoid comparing Sky High to the animated The Incredibles. The latter sharply but respectfully satirizes comics while utilizing the material to make a visually dazzling family film with a good message. Sky High plays the comic cannon straight, in the process appealing to the same children that most of those dopey comics do, but leaving the adults with little more than gentle grins. Does the embrace of comic values make a great children's flick? Yes, but will adults find themselves more than mildly entertained? Holy frijoles, Batman, no!


3 out of 5

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Emmet Otter's Jug Band Christmas

Quite possibly one of the greatest holiday specials ever created, this Muppet special was released to DVD in 2001. The classic story of Emmet and friends trying to scrape enough together for the holidays, deciding to compete in the local talent show to raise money, only to be threatened by the Riverbottom gang. The story demonstrates the possibility of unity and togetherness even in the face of adversity. Not your typical holiday tale, but I think that's why it works. This was one of the initial Muppet forays beyond the variety show style atmosphere of the Muppet Show, demonstrating the ability of puppets to carry an entire production. As with other Muppet features, the story has elements designed to appeal to both kids and adults, without dumbing anything down or needing to offend to carry a point. Possibly the coolest plus about this DVD version is the Dolby 5.1 sound, which adds an element missing in the previous VHS release,although scenes containing Kermit the Frog are removed. The DVD is lacking in any exciting additional features, only including a couple of trailers, which are mere advertisements for other video.

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